CV

KIT CV

 

Selected Solo Exhibitions
Selected Group Exhibitions
Bookworks
Collections
Residencies
Workshops
Selected Lectures, Presentations, Conferences and Seminars
Teaching
Awards and Grants
Selected Catalogue Essays
Selected Book Essays and Articles
Selected Magazine Articles and Reviews (1995 - 2005)
 
 
 
   
Selected Solo Exhibitions
   
  Project: Infrasense
     
2006 Galerie Séquence Chicoutimi, Canada
  L’Oeil de poisson Québec City, Canada
  The Ben Maltz Gallery Los Angeles, USA
  Peterborough Digital Arts Peterborough, England
  Cartwright Hall Art Gallery Bradford, England
2005 Grunt Gallery Vancouver, Canada
  Neutral Ground Regina, Canada
  Quartier éphémère Montréal, Canada
2004 Kunstencentrum Vooruit Gent, Belgium
  Folly Gallery Lancaster, England
  Subtle Technologies Festival Toronto, Canada
  InterAccesss Media Arts Centre Toronto, Canada
     
  Project: Missing Mass  
     
2006 Galerie Sans Nom Moncton, Canada
2005 Gallery 44: Centre for Contemporary Photography Toronto, Canada
2003 Axe Néo 7 Gatineau, Canada
     
  Project: A.D.I.E.U (Architectural Developments In Escape Units) Working Archive
     
2005 Gallery 44: Centre for Contemporary Photography Toronto, Canada
2003 Axe Néo 7 Gatineau, Canada
2001 Seven Degrees Media Centre Laguna Beach, USA
2000 RMIT Project Space Melbourne, Australia
1999 Artcite Windsor , Canada
     
  Project: Poi.n-t (Place of Impact. Net-Transfer) ( #1 – 5)
     
2004 Raid Projects Los Angeles, USA
2001 Galerie Articule Montréal, Canada
  Side Street Projects Los Angeles , USA
  High Street Projects Christchurch, NewZealand
2000 Blasthaus San Francisco, USA
     
  Project: Autoskinning: Passive Abduction ( #1 – 6)
     
2003 Axe Néo 7 Gatineau, Canada
2002 DiverseWorks Houston, USA
  Southern Exposure San Francisco
2001 Latitude53 Edmonton, Canada
  Canberra Contemporary Art Space Canberra, Australia
  Blue Oyster Gallery Dunedin, New Zealand
     
  Project: Greylands
     
2002 Tlalnepantla Mexico City, Mexico
1999 LeBretton Flats / Artengine Ottawa, Canada
     
  Project: Greylands Showroom
     
2002 Arte Alameda Mexico City, Mexico
  Centro de la Imagen Mexico City, Mexico
     
  Project: Airbag Architecture
     
2003 Axe Néo 7 Gatineau, Canada
2002 DiverseWorks Houston, USA
2001 Neutral Ground Regina, Canada
  Momenta Art New York City, USA
  Galerie Clark Montréal, Canada
     
  Project: Joyriding in the Land Time Forgot
     
2000 The Physics Room Christchurch, New Zealand
1999 YYZ Artists’ Outlet Toronto, Canada
1998 Yorkshire Sculpture Park Wakefield, England
     
  Project: Tower Of C.O.T.I.S
     
1999 Gertrude Contemporary Art Spaces Melbourne, Australia
     
  Project: Podunk
     
1998 Albert Square / Digital Summer Manchester, England
     
  Project: Re*Action Hero
     
1998 Yorkshire Sculpture Park Wakefield, England
1997 Galerie Séquence Chicoutimi, Canada
     
  Project: Overnight Delivery  
     
1997 Turnpike Gallery / Annual Programme Leigh, England
     
  Project: P.S.I (Passport Sized Interference)  
     
1996 The Ottawa Airport / Gallery 101 Ottawa, Canada
  The Museum of Science and Industry Manchester, England
     
  Project: F-USER  
     
1996 Galerie Observatoire 4 Montréal, Canada
  Casino Royale Video Arcade Montréal, Canada
     
  Project: Connection Kit  
     
1996 The New Gallery Calgary, Canada
     
  Project: Vacancy Kit  
     
1995 Galerie Observatoire 4 Montréal, Canada
     
 
Selected Group Exhibitions
     
  Project: Video Arcadia  
     
2004 Exhibition: H2O Curator: Lothar Schmitz
  The Sam Francis Gallery Los Angeles , USA
1998 Exhibition: New Art From Britain Curator: The Tate Gallery / Yorkshire Sculpture Park
  Kunstraum Innsbruck, Austria
     
  Project: Autoskinning: Passive Abduction  
     
2002 Exhibition: Events Arquitecture Curator: Marti Peran
  Espai d’Art Contemporain Castelló, Spain
     
  Project: Room and Board (mk 1-5)  
     
2002 Exhibition: Room and Board Curator: BFO Projects
  Forest City Gallery London, Canada
2001 Exhibition: Room and Board Curator: BFO Projects
  Static Liverpool, England
2001 Exhibition: Room and Board Curator: BFO Projects
  The Proposition Gallery Belfast, Northern Ireland
2001 Exhibition: Room and Board Curator: BFO Projects
  The New Gallery Calgary, Canada
2001 Exhibition: Room and Board Curator: BFO Projects
  Galerie Dare-Dare Montréal, Canada
     
  Project: Greylands Showroom  
     
2002 Exhibition: La Demeure (The Dwelling) Curator: Marie Frazer
  Optica: Un Centre d’art Contemporain Montréal, Canada
2001 Exhibition: Re:Mote Curator: Camilla Jackson
  The Photographers’ Gallery London, England
1999 Exhibition: Manifesto (Time Capsule) Curator: Experimenta Media Arts
  Span Galleries Melbourne, Australia
     
  Project: Sukima  
     
2001 Exhibition: Sukima Curator: Masato Nakamura
  Command N Tokyo, Japan
     
  Project: No Harmful Side-Effects  
     
2001 Exhibition: Through Punk to Hardpop Curated by MAMA Gallery
  MAMA Gallery Rotterdam, Holland
2000 Exhibition: No Harmful Side-Effects Curated by DX Raiden
  Platform Gallery Melbourne, Australia
     
  Project: Generation #12/26  
     
2004 Exhibition: The Anthology of Art Curated by Jochen Gerz
  Academy of Art / Akademie der Künste Berlin, Germany
2001 Exhibition: The Anthology of Art Curated by Jochen Gerz
  www.anthology-of-art.net Paris, France
     
  Project: A.D.I.E.U (Architectural Developments In Escape Units) Working Archive
     
1999 Exhibition: Pause Curated by S.Murray
  The Melbourne Biennial Melbourne, Australia
     
  Project: C.O.T.I.S. (Cult Of The Inserter Seat)  
     
1998 Exhibition: Art of the Accident Curated by Andreas Broeckman / V2
  Dutch Electronic Art Festival (DEAF) Rotterdam, Holland
  Exhibition: HyperTribes Curated by LoveBytes
  The LoveBytes Digital Art Festival Sheffield, England
     
  Project: C.O.T.I.S. Movie  
     
1998 Exhibition: Viruses and Mutations Curated by Experimenta Media Arts
  St.Vincent's Hospital Melbourne, Australia
     
  Project: KIT Homes  
     
1997 Exhibition: Epilogue Curated by Mike Stanley
  The Saints Fisher and More School Widnes, England
     
  Project: Bringing it Back Alive  
     
1997 Exhibition: 36MC Curated by IDEA
  The Blackwells Building Manchester, England
     
  Project: SlideCrash  
     
1996 Exhibition: Projections in Public Curated by Karen Atkinson
  Bookshop Window Montréal, Canada
     
     
Bookworks
     
  Project: Video Arcadia  
     
1999 Commission: Yorkshire Sculpture Park Wakefield, England
     
  Project: Battery Operated  
     
1996 Commission: Galerie Articule Montréal, Canada
     
     
Collections  
     
2001 Seven Degrees Media Centre Laguna Beach, USA
1999 The Museum of Victoria Melbourne, Australia
     
     
Residencies  
     
2003 Axe Néo 7 Gatineau, Canada
2001 SOIL / Neutral Ground Gallery Regina, Canada
  Canberra Contemporary Artspace Canberra, Australia
  Otago Polytechnic / Artists at Work Dunedin, New Zealand
2000 Tasmania University (Intermedia Art) Tasmania, Australia
1998 The Yorkshire Sculpture Park Wakefield, England
1994 La Galerie Arts Technologies Montréal, Canada
     
     
Workshops  
     
2005 Truck Gallery Calgary, Canada
  One day workshop in new media funding, production and dissemination
  Neutral Ground Gallery Regina, Canada
  Robotics in Motion - Two day workshop for artists doing interactive robotics work
2004 Interaccess Media Arts Centre Toronto, Canada
  Robotics in Motion - Two day workshop for artists doing interactive robotics work
2002 Univeristy of Québec and Montréal Montréal, Canada
  One day workshop in production techniques of sound for contemporary art practice
2001 Whittier College Los Angeles, USA
  Two day workshop in convergent art practice and theory. Art and Philosophy departments
     
     
Selected Lectures, Presentations, Conferences and Seminars
     
2006 University of California at Davis Davis, USA
  Artist presentation: 'Infrasense : How We Came To Love the Virus'
  University of California at Santa Cruz Santa Cruz, USA
  Artist presentation: 'Infrasense : How We Came To Love the Virus'
  University of California at Los Angeles Los Angeles, USA
  Artist presentation: 'Infrasense : How We Came To Love the Virus'
  Whittier College Los Angeles, USA
  Artist presentation: 'Infrasense : How We Came To Love the Virus'
  Claremont Colleges (Pitzer/Scripps) Los Angeles, USA
  Artist presentation: 'Infrasense : How We Came To Love the Virus'
  OTIS College of Art and Design Los Angeles, USA
  Artist presentation: 'Professional Practice Seminar'
  University of Leeds Leeds, UK
  Artist presentation: 'How We Came To Love The Virus' + 2nd day of studio visits
2005 SOIL Media Lab Regina, Canada
  20-minute presentation on Telesthesia/Telepistemology for the ‘Remote’ web conference
  Gallery 44: Centre for Contemporary Photography Toronto, Canada
  Artist presentation: 'Photographic Memories of KIT Projects'
  Neutral Ground Gallery Regina, Canada
  Artist presentation: 'The Development and Production of the Infrasense Projec't
2004 Interaccess/Subtle Technologies Toronto, Canada
  Artist presentation: 'The Development and Production of the Infrasense Project'
  Kunstencentrum Vooruit Gent, Belgium
  Artist presentation:' The Development and Production of the Infrasense Project'
  Lancaster University Lancaster, England
  Keynote speaker on robotics for the 'People Don’t Open Attachments Anymore' Conference
  University of California Los Angeles Los Angeles, USA
  Artist presentation: 'Mediated Intoxication: Steering KIT Projects'. Studio visits
  University of California San Diego San Diego, USA
  Artist presentation: 'Mediated Intoxication: Steering KIT Projects'. Studio visits
  University of California Santa Cruz Santa Cruz, USA
  Artist presentation: 'Mediated Intoxication: Steering KIT Projects'. Studio visits
  University of California Santa Barbara Santa Barbara, USA
  Artist presentation: 'Mediated Intoxication: Steering KIT Projects'. Studio visits
  OTIS School of Art Los Angeles, USA
  Artist presentation: 'Mediated Intoxication: Steering KIT Projects'. Studio visits to MA students
  OTIS School of Art Los Angeles, USA
  Artist presentation: 'Mediated Intoxication: Steering KIT Projects'. Studio visits to BA students
  The Sam Francis Gallery Los Angeles, USA
  Artist presentation: 'Mediated Intoxication: Steering KIT Projects'
2002 Arte Alemeda Mexico City, Mexico
  Artist presentation: 'The Development and Production of the Greylands Project'
  University of California San Diego San Diego, USA
  Artist presentation: 'Disaster KIT's'
  Univeristy of Québec and Montréal Montréal, Canada
  Artist presentation : 'A Frequent History of Sonic Art'
2001 The University of Regina Art dept Regina, Canada
  Artist presentation: 'Disaster KIT's'
  Latitude 53 Gallery Edmonton, Canada
  Artist presentation: 'Political Resistance in Art Practice'
  The Canberra School of Art Canberra, Australia
  Artist presentation for the ‘Art Forum’ lecture series: The Spatial Politics of KIT Projects
  The Auckland City Art Gallery Auckland, New Zealand
  Artist Lecture series: 'The Spatial Politics of KIT Projects'
  Victoria University Architecture dept Wellington, New Zealand
  Artist presentation: 'The Spatial Politics of KIT Projects'
  Massey University New Media dept Wellington, New Zealand
  Artist presentation: 'The Spatial Politics of KIT Projects'. Studio visits
  Christchurch Polytechnic Art dept Christchurch, New Zealand
  Artist presentation: 'The Spatial Politics of KIT Projects'. Studio visits
  Otago Polytechnic Art Theory dept Dunedin, New Zealand
  Artist presentation: 'The Spatial Politics of KIT Projects'. Studio visits
  Otago Polytechnic Art Theory dept Dunedin, New Zealand
  Lecture for Art, Art Theory and Philosophy departments: 'Art and Class'
  Otago Polytechnic Art Theory dept Dunedin, New Zealand
  Lecture for Art, Art Theory and Philosophy departments: 'Political Resistance in Art Practice'
  Whittier College Los Angeles, USA
  Artist presentation: 'Political Resistance in Art Practice'
2000 Swinburne University New Media dept Melbourne, Australia
  Artist presentation: 'Political Resistance in Art Practice'
  The University of Tasmania Tasmania, Australia
  Artist presentation for the ‘Art Forum’ lecture series: 'The Place of Supermodernism'
1999 Command N Gallery Tokyo, Japan
  Artist presentation: 'The Sukima Project: A Hidden Architecture'
  Gallery 101 Ottawa, Canada
  Artist presentation: 'The Development and Production of the Greylands Project'
  Artcite Gallery Windsor, Canada
  Artist presentation: 'Recent KIT Installations'
  Gertrude Contemporary Art Spaces Melbourne, Australia
  Artist presentation: 'Recent KIT Installations'  
1998 RMIT University Architecture dept Melbourne, Australia
  Artist presentation: 'The Place of Supermodernism'
  Yorkshire Sculpture Park Wakefield, England
  Paper presented at the 3-day conference named 'Sculpture and Landscape'
  Kunstraum Innsbruk, Austria
  Artist presentation for the New Art from Britain exhibition: 'Recent KIT Installations'
1997 Manchester Metropolitan University Manchester, England
  Artist presentation: 'KIT Art and New Technologies'
1996 The Museum of Science and Industry Manchester Manchester, England
  Artist presentation and seminar: 'The Production of the P.S.I Project'
1995 Galerie Observatoire 4 Montréal, Canada
  Artist presentation: 'KIT Art and New Technologies'
  McGill University Montréal, Canada
  Artist presentation : 'KIT Projects and the Use of Sound'
  Concordia University Montréal, Canada
  Artist presentation: 'Communications, Politics and Dissemination'
1994 La Galerie Arts Technologies Montréal, Canada
  Artist presentation : 'The KIT collaboration'
     
   
Teaching  
     
2004 Whittier College of Arts Los Angeles, USA
  Lecturer in residency for one semester in digital sound and image production/aesthetics
2003 Whittier College of Arts Los Angeles, USA
  in residency for one semester in digital sound and image production/aesthetics
2002 University of California at San Diego San Diego, USA
  Visiting lecturer for MFA students in the Media Art department
2001 University of Regina Regina, USA
  Visiting lecturer for MA students in the Intermedia section of the Art department
  Otago Polytechnic Dunedin, New Zealand
  Lecturer in residency for BA and MA students in the art and art history departments
2000 Swinburne University Melbourne, Australia
  Visiting lecturer for 2 semesters to 1st year students in the Art and New Media department
  University of Tasmania Tasmania, Australia
  Lecturer in residency for 2nd and 3rd year students in the Emedia department
1999 Royal Melbourne Institute Technology Melbourne, Australia
  Guest lecturer and advisor to 2nd year BA students in the Architecture department
1998 Melbourne University Melbourne, Australia
  Guest lecturer for 1 semester for MA students in the Cultural Studies department
1997 Manchester Metropolitan University Manchester, England
  Guest lecturer for 3rd year students in the Art department
     
     
Awards and Grants  
     
2006 Production and Development grant Arts Council of England, England
2005 Travel grant The British Council, England
2004 Touring grant (3 gallery tour) Arts Council of England, England
  Production and Development grant Arts Council of England, England
2002 Travel grant The British Council, England
  Production grant North West Arts Board, England
2001 RALP Award North West Arts Board, England
  Travel grant The British Council, England
  Production and Development grant North West Arts Board, England
  Production and Development grant Australian Arts Council, Australia
  Travel grant The British Council, Australia
  Travel and Touring grant The British Council, New Zealand
  Travel and Production grant Centro de la Imagen, Mexico
2000 Production and Development grant North West Arts Board, England
  Award for Electronic Art Langlois Foundation, Canada
  Travel and Exhibition grant The British Council, Japan
  Travel grant The British Council, England
  Research grant The Canada Council, Canada
1999 NAVA project grant Pat Corrigan Foundation, Australia
  Production and Presentation grant Melbourne City Council, Australia
  Presentation grant Trillium Foundation, Canada
  New Accents Travel grant The British Council, Canada
  Production and Presentation grant RMIT University, Australia
  Yearly salary awards for two interns C.H.I.N., Canada
  Production grant Cinemedia, Australia
  Research grant Australian Arts Council, Australia
  Publication grant Ontario Arts Council, Canada
  Travel grant The British Council, England
1998 Media Publication award Arts Council of England, England
  SHIFT New Technologies grant North West Arts Board, England
  SHIFT Collaborative Technology grant North West Arts Board, England
1997 Travel grant The British Council, England
  Travel grant / Report grant North West Arts Board, England
  Travel grant Telematics / Teleworking, England
  A4E Express grant Arts Council of England, England
  Production and Development grant North West Arts Board, England
1996 Offsite Project grant Galerie Articule, Canada
1995 Production and Development grant North West Arts Board, England
  Travel grant The British Council, England
     
     
Selected Catalogue Essays  
     
2005 Writer: DX Raiden Title: The Theory of Missing Mass
  Publication: Missing Mass catalogue Gallery 44: Centre for Photography, Toronto, Canada
2004 Writer: Bridie Lonie Title: Chipped Mesh
  Publication: Space Invaders Blue Oyster Gallery, Dunedin, New Zealand
2002 Writer: Marti Peran Title: arquitectures per l’esdeveniment
  publication: arquitecturas para el acontecimiento Espai D’Art Contemporani De Castello, Spain
2001 Writer: Camilla Jackson Title: Re: mote
  Publication: Great 39 The Photographers Gallery, London, England
  Writer: Richard Williams Title: A Ruined Future
  Publication: Annual Programme 1995-2000 The Annual Programme, Manchester, England
  Writer: Bridie Lonie Title: Autoskinning : Passive Abduction No.2
  Publication: Autoskinning No.2 catalogue Canberra Contemporary Art Space, Canberra, Australia
  Writer: Michael Morley Title: I used to live in a car
  Publication: Autoskinning No.1 catalogue Otago Polytechnic, Dunedin, New Zealand
2000 Writer: Richard Holt Title: Sub-Systems
  Publication: No Harmful Side-Effects Platform2, Melbourne, Australia
  Writer: Werner Hammerstingl Title: In the Interest of Safety
  Publication: No Harmful Side-Effects Platform2, Melbourne, Australia
1999 Writer: Beryl Graham Ha Ha Ha- Landscape, The Game, The Art & the Computer
  Publication: Video Arcadia Yorkshire Sculpture Park, Wakefield, England
  Writer: Claire Glossop Title: Shifting Perspectives in Landscape
  Publication: Video Arcadia Yorkshire Sculpture Park, Wakefield, England
  Writer: Guy Hilton Title: Press Play to Start
  Publication: Video Arcadia Yorkshire Sculpture Park, Wakefield, England
  Writer: Mike Stanley Title: Overnight Delivery
  Publication: Video Arcadia Yorkshire Sculpture Park, Wakefield, England
  Writer: Dominic Pettman Title: ill Communication
  Publication: C.O.T.I.S. Movie catalogue Experimenta Media Arts, Melbourne, Australia
  Writer: Dominic Pettman Title: Architectural Developments in Escape Units
  Publication: A.D.I.E.U. - Joyriding catalogue Artcite, Windsor, Canada and YYZ, Toronto, Canada
     
     
Selected Book Essays and Articles  
     
2003 Writer: Beryl Graham Title: KIT
  Publication: Directions in Art : Digital Media Heinemann, Oxford, England
2001 Writer: Carles Puig / Sara Nadal Title: Greylands
  Publication: Planning the Periphery Gustavo Gili, Spain
1999 Writer: Michael Boyce Title: Flight Interstitial
  Publication: Image / Duration Gallery 101, Ottawa, Canada
1998 Writer: Dominic Pettman Title: C.O.T.I.S. Manifesto
  Publication: The Art of the Accident Netherlands Architecture Institute / V2 Organisation
  Writer: Guy Hilton Title: KIT
  Publication: New Art from Britain Yorkshire Sculpture Park / Tate Gallery, London, England
     
     
Selected Magazine Articles and Reviews  
     
2006 Writer: Lauren Camacho Title: Art can also evoke Horror
  Publication: Los Angeles Quaker Campus Issue: April 20, USA
2005 Writer: Michelle Irving Title: Infrasense: Tangible Metaphors
  Publication: Brunt Magazine Issue: November, Canada
  Writer: Çinga Su Title: Infrasense: Stories from the Horses Mouth
  Publication: ETC Magazine Issue: December 2005, Canada
  Writer: Lyne Crevier Title: Robotique 101
  Publication: ici Newspaper Issue: March 24-30, Canada
  Writer: Roberta Buiani Title: Infrasense: Of Viruses and Spaces
  Publication: Parachute magazine Issue: 119, Canada
  Writer: Roberta Buiani Title: Marginal Networks
  Publication: http://journal.fibreculture.org Issue: 4. Contagion, Australia
2004 Writer: RC Title: Infrasense
  Publication: The Guardian Newspaper Issue: November 4, England
  Writer: Ingrid Kent Title: There are Bugs About
  Publication: The Visitor Issue: November 17, England
  Writer: Chantal DesRochers Title: Casualities in Time and Space
  Publication: Vernissage magazine Issue: Spring, Canada
  Writer: Suzanne Richard Title: Un plan pas tellement rassurant
  Publication: Voir newspaper Issue: October 11, Canada
2003 Writer: Craig Buckley Title: Portable Initiatives, Collapsible Forms
  Publication: FUSE magazine Issue: Vol 26, Number 1, Canada
  Writer: André-Louis Paré Title: La Demure
  Publication: Parachute magazine Issue: 110, Canada
2002 Writer: John Devinee Title: Car Culture
  Publication: The Houston Press newspaper Issue: May 9 –15, USA
2001 Writer: O.Smith Title: Art After 9-11: KIT's Passive Abduction
  Publication: Latitude 53 Artists Newsletter Issue: 3, Volume 3, Canada
  Writer: Jason Symington Title: Collective Wisdom
  Publication: See magazine Issue: September 13 – 19, Canada
  Writer: Christine Redfern Title: Riot at the Vernissage
  Publication: The Hour newspaper Issue: October 27, Canada
  Writer: Jennifer McVeigh Title: Shelter in a Suitcase
  Publication: FFWD magazine Issue: October 18 – 24, Canada
  Writer: Bridie Lonie Title: Autoskinning: Passive Abduction No.2
  Publication: Art in New Zealand magazine Issue: May, New Zealand
  Writer: Charmian Smith Title: Collective Creative Potential
  Publication: Otago Daily Times Issue: April 12, New Zealand
  Writer: Sylvie St.Amand Title: KIT Art
  Publication: Elle magazine Issue: December, USA
  Writer: Mike Schmidli Title: KIT-Art and the Man
  Publication: The Whittier Express newspaper Issue: February 23, USA
  Writer: Jerome Delgado Title: L’artiste Collectif
  Publication: La Presse newspaper Issue: January 20, D-17 Canada
  Writer: James Grater Title: Airbag Architecture
  Publication: Artscene magazine Issue: Volume 20, No.7 USA
  Writer: Sonia Barron Title: Ominous Array of Auto Objects
  Publication: The Canberra Times Issue: June 26, Australia
2000 Writer: Rachel Chapman Title: Poi.n-t
  Publication: Artists Newsletter magazine Issue: November, England
  Writer: Lawrence Isobel Title: By-Product Economies of KIT
  Publication: Art Monthly magazine Issue: February, England
  Writer: Mary Seargent Title: Joyridden
  Publication: Log illustrated newspaper Issue: April, New Zealand
  Writer: Nik Wright Title: Round Up
  Publication: Presto magazine Issue: March, New Zealand
  Writer: Robyn Usher Title: Virtual Buzz
  Publication: The Christchurch Press Issue: March 15, New Zealand
  Writer: Dan Arps Title: Christchurch Review
  Publication: Log illustrated newspaper Issue: April, New Zealand
  Writer: Kandis Weiner Title: KIT by Numbers
  Publication: MIX magazine Issue: February, Canada
  Writer: Berengere Marin Dubuard Title: A KIT Map of Disaster
  Publication: Artichoke magazine Issue: March, Canada
1999 Writer: Alison Barclay Title: Backspace to Hi - Tech Hip
  Publication: Herald Sun Issue: November, Canada
  Writer: Dominic Pettman Title: The Transcendence of Transarchitecture
  Publication: Parachute magazine Issue: 96, Canada
  Writer: Werner Hammerstingl Title: Tower of C.O.T.I.S. by KIT
  Publication: Espace magazine Issue: September, Canada
  Writer: E. Windfeld Title: Toxic Homes for Sale
  Publication: Canadian Forum magazine Issue: August, Canada
  Writers: Dubuard, Monfries & Cummins Title: The Tower OF C.O.T.I.S.
  Publication: Artfan magazine Issue: Autumn, Australia
  Writer: Si Si Penaloza Title: Mobile Architecture Defies Time and Space
  Publication: Now newspaper Issue: May 20, Canada
  Writer: R.M Vaughan Title: Camp Free Camping at YYZ
  Publication: Eye newspaper Issue: June 3, Canada
  Writer: Virginie Pringuet Title: Ars Accidentalis, The Art of The Accident
  Publication: Synopsis on-line journal Issue: January, Canada
  Writer: Dominc Pettman Title: The Tower of C.O.T.I.S.
  Publication: Monument magazine Issue: 29, Australia
  Writer: Mick Burton Title: KIT@DEAF98 -C.O.T.I.S.
  Publication: ETC magazine Issue: June, Canada
1998 Writer: Esta Milne Title: Collision Courses
  Publication: Real Time newspaper Issue: December, Australia
  Writer: Jane Compton Title: Where is the Public in Art
  Publication: The Guardian newspaper Issue: November 21, England
  Writer: Jonathan Glancey Title: Never Mind the Quality
  Publication: The Guardian newspaper Issue: November 21, England
  Writer: J.Horton Title: Remote Viewing
  Publication: Artists Newsletter magazine Issue: June, England
  Writer: David Barrett Title: No Damien No Gary No Tracey
  Publication: Art Monthly magazine Issue: September, England
  Writer: Shi Nimki Title: Re*Action Hero
  Publication: C International magazine Issue: 58, Canada
  Writer: Mick Burton Title: Sighted. The KIT Collaboration
  Publication: Mute magazine Issue: 10, England
  Writer: John Hawthorn Title: Crash Culture KIT
  Publication: Crash Media Magazine Issue: August, England
  Writer: J.Hellman Title: KIT Homes
  Publication: Sisis International magazine Issue: 13, England
  Writer: Mick Burton Title: Overnight Delivery
  Publication: Flux magazine Issue: 6, England
1997 Writer: Joanne Daly Title: Overnight Delivery
  Publication: City Life magazine Issue: August 14
  Writer: Michael Bracewell Title: Epilogue England
  Publication: New Statesmen magazine Issue: October 23, England
  Writer: Nick Crowe Title: Techno Babes
  Publication: MAKE magazine Issue: Summer, England
  Writer: J.Hawthorn Title: KIT: Landing Letters from the Airline
  Publication: Pulp magazine Issue: Summer, England
  Writer: Kandis Weiner Title: F-USER
  Publication: Fuse magazine Issue: Spring, Canada
  Writer: Jim Kano Title: Connection KIT
  Publication: Artichoke magazine Issue: Spring, Canada
  Writer: Jonathon Cage Title: F-USER
  Publication: Espace magazine Issue: February, Canada
  Writer: M.Seargent Title: Outlook PSI
  Publication: Artists Newsletter Issue: Spring, England
  Writer: Kandis Weiner Title: KIT’s Fun Booth
  Publication: Zone 451 on-line magazine Issue: February, Verticals Canada
1996 Writer: H.Jackson Title: Passport Sized Interference
  Publication: Aviation Bulletin magazine Issue: November, England
  Writer: V.Howard Title: Strange International Encounter
  Publication: The Ottawa Citizen newspaper Issue: October 13, Canada
  Writer: Dallas Seitz Title: Connection KIT
  Publication: Accelerated Magazine Issue: September, Canada
  Writer: B.Nguyen Title: F-USER
  Publication: Mix magazine Issue: June, Canada
  Writer: G. Hebden Title: F-USER
  Publication:Leonardo on-line magazine Issue: July, USA
  Writer: Liu Kang Title: Sham*me
  Publication: ETC magazine Issue: March, Canada
  Writer: Lucinda Catchlove Title: F-USER
  Publication: The Hour newspaper Issue: January 26, Canada
1995 Writer: Eduardo Aquino Title: Vacancy KIT
  Publication: Parachute magazine Issue: June, Canada
  Writer: Daniel Xavier Title: Vacancy KIT
  Publication: ETC magazine Issue: 30, Canada
  Writer: Lucinda Catchlove Title: Plug-in: Vacancy KIT Touches the Electronic Body
  Publication: The Hour January, Canada
  Writer: Rebecca McKechnie  Title: Art in the Computer Age
  Publication: The McGill Daily January, Canada