P.S.I.
(Passport Sized Interference)
Having embarked on F-USER which
utilised an on-site location and a gallery space to exhibit
the project, KIT decide to undertake a venture which functions
completely outside of the white cube environment and work
in the Ottawa Airport in Ottawa, Canada and the Museum of
Science and Industry in Manchester, England. Curated and supported
by Gallery 101 in Ottawa and the Museum of Science and Industry
in the UK, the name of the project is P.S.I. (Passport
Sized Interference).
Working earlier in 1996 within the context
of the airport for Connection KIT in Calgary, KIT
take the next logical step and work directly in a working
airport. Many presentations and meetings have to be taken
with the airport’s directors of operations to persuade
them that the project will benefit the space and its customers.
After months of negotiations, they pass the proposal and help
support the work.
Two identically constructed booths are produced
at the same time in Manchester and Ottawa. Plans of fabrication
are drawn up and followed meticulously so that both booths
will appear and function in the same way as each other. Working
in an airport requires much patience. Every day we bring tools,
materials and people into the airport and everyday takes 45
minutes to pass through security. After weeks of work on-site,
the two booths are built. The design for them is based on
the generic photographic booths found in train, bus and subway
stations for taking passport sized photographs. The title
of the work is based on this latter phrase. The P.S.I
booths, however, are covered in soil, which has been
covered in a glaze so that it is plastified, and the roof
of each booth is covered in green Astroturf. It appears as
though the booths have been pulled out of the ground, bunker-like
they look functional, yet too organic to really fit in the
surroundings of an airport or a science museum.
A brown curtain pulls across the booth in
the same way that curtains do on the booths found in city
transit stations. Once inside, a rotating seat allows the
audience to adjust themselves to the correct height for the
camera and a strip light produces enough illumination for
the picture to be correctly lit. The cameras in the P.S.I.
booths however, are web-cameras which are exchanging
images with each other. Once seated inside the booth, your
image appears in a rectangle window alongside the image of
an individual who is sitting in the other booth thousands
of miles away, at the same time.
The airport operates daily with the most
advanced surveillance, mechanical and digital technologies
available in our culture. The Science and Technology Museum
on the other hand, as an institution, retrospectively documents
the history of such tools and modes of transport. It could
be read that the airport represents the future whilst the
Museum represents the past. The purpose of the P.S.I.
project is to link the institutions of the airport and
the museum together in a temporal conversation about the present
and presence. Currently, we can communicate throughout the
world via digital technologies and effectively collapse distance
as never before. On the wall facing the participant as they
sit down, a digital clock tells the time of the booth in the
sister city, thus in England the time reads 5 hours behind
and in Ottawa, 5 ahead of it’s respective Greenwich
Meridian time.
For the project to function as it is planned
to, there needs to be a person’s presence inside each
booth. The cross-section of present and presence in both cities
is necessary for the booths to have pertinence. The aesthetic
of the booth reiterates this proposal as it too appears to
be a cross section of terra firma. P.S.I. posits
that the grounding of narratives surrounding digital technologies
is a necessary process, especially when the flights of fantasy
sold by many utopian technologists, are cancelled due to technical
problems.
P.S.I. (Passport Sized Interference) exhibits
at the following gallery and site –
1996 The Museum of Science and Industry (Manchester,
England)
Ottawa
Airport / Gallery 101 (Ottawa, Canada)
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